![]() ![]() There is a polarity reverse switch if you find monaural sources (like this bass) sound better flipped but with the time differences eliminated. I liked the On/Off switch that turns off the delay correction but maintains the phase correction. This is necessary because unfortunately, when simply bypassing on the plug's RTAS GUI, you'll hear its processing latency. To keep the left and right channels phase locked, I used the stereo version of Auto-Align on a stereo Ivory piano track. This piano sound was already good and stereophonically wide but I had compromised its width in an effort to build more center channel level. With A-A correcting phase only, I could somewhat maintain the width but got more punch through a phase-accurate center image. ![]() ![]() The piano sound tightened up and cut the track better without being overbearingly loud. The plug-in's GUI has a delay display that shows the approximate distance between the two mic sources (tracks), expressed in your choice of samples, milliseconds, or inches/centimeters. ![]()
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